{"id":2299,"date":"2025-04-22T22:35:47","date_gmt":"2025-04-22T22:35:47","guid":{"rendered":"http:\/\/calla2.com\/?p=2299"},"modified":"2025-04-23T19:04:21","modified_gmt":"2025-04-23T19:04:21","slug":"author-honours-deathbed-promise-to-write-about-wwii-lebensborn-program","status":"publish","type":"post","link":"https:\/\/www.calla.com\/wordpress\/author-honours-deathbed-promise-to-write-about-wwii-lebensborn-program\/","title":{"rendered":"Author Honours Deathbed Promise to Write About WWII Lebensborn Program"},"content":{"rendered":"

The interview was originally published on Christine Kohler’s website here<\/a>.<\/p>\n

One piece of advice that writers are given is to write what we know. I disagree with that. I think it\u2019s more important to write what you don\u2019t know, but what you\u2019d like to know about.<\/p>\n

Before I became a writer, I got my Master\u2019s degree in Library Science, not to become a librarian, but to learn what I didn\u2019t know. Becoming a librarian helped me become a history detective. All of my books delve into some fragment of history that has been shoved under the carpet and forgotten.<\/p>\n

Lidia, my mother-in-law, died in early 2008. A few weeks before her death she said to me, \u201cYou\u2019ve written all these stories about bits of history that no one else has written about, but you haven\u2019t written about what it had been like for me as a Ukrainian child in World War Two.\u201d<\/p>\n

Her comment stunned me, but there was much truth in it. She had told me so much her childhood, living on the Front, in the midst of where the battles were actually fought. In case you don\u2019t know what the Front is, it\u2019s where the two fighting armies confront each other\u2014 in this case, the Soviets and the Nazis. I asked her once how you could tell when the Front was upon you. \u201cThe ground trembles,\u201d she said, \u201cfrom the tanks.\u201d<\/p>\n

The Nazis moved through her home town of Zolochiv in Western Ukraine twice. Both times, they took over her house. They didn\u2019t allow her or her parents to leave: The three were captive hosts, expected to cook and clean for the invaders. But they also listened in on conversations. Once, Lidia heard of an \u201cAction\u201d at her school the next day. \u201cYou\u2019re staying home,\u201d said her mother. When she went back two days later, all of the blonde and blued-eyed girls had been taken away, never to be seen again.<\/p>\n

Years later, my mother-in-law found out that they were all dead. They had been taken for the \u201cLebensborn Program\u201d where carefully selected Polish and Ukrainian children were stolen from their families and brainwashed into thinking they were German, then placed into high-ranking Nazi households as trophy children. When the Nazis lost the war, these children were no longer trophies. They were an embarrassment and a badge of guilt. Some were abandoned, never understanding why. Others will killed. Others continued as members of their “family” after the war, but sometimes remembered who they really were in their old age, realizing their whole life had been a lie, and those they considered family were actually the killers of their real family.<\/p>\n

This was an aspect of World War Two that I had never heard from anyone beyond my mother-in-law. At her deathbed, I promised her that I would write about her experiences. The first novel of my WWII trilogy was Stolen Child\u2014 not about Lidia\u2014but about a girl like one of her less fortunate classmates\u2014stolen by the Nazis and robbed of her identity.<\/p>\n

As I did the research for that novel, I realized how rare it was for a child to be deemed \u201cworthy\u201d of the Lebensborn program. The Nazis captured millions of Ukrainian and Polish children, but only a few hundred thousand were selected. The rest were labeled \u201cnot racially valuable\u201d and were either killed outright or used as slave labour.<\/p>\n

This fact became the inspiration for the second novel of my trilogy. What would it be like to be stolen with your sister, but separated for different fates because your sister was considered \u201cracially valuable\u201d while you were considered disposable?
\nLida, the disposable sister, is the heroine of MAKING BOMBS FOR HITLER, the second novel of my trilogy.<\/p>\n

While writing that novel, the character of Luka appeared, initially as nothing much more than a \u201cwild-haired boy.\u201d Soon, as good characters are wont to do, he took on a life of his own. Ultimately, he escaped from the slave labour camp. The third novel in the trilogy explored what he ended up doing after hiding in a wagon of corpses and jumping out in the middle of nowhere before the wagon got to the crematorium.<\/p>\n

His story is based on real experiences as well\u2014about the many escaped slave labourers and other survivors of the Front who just couldn\u2019t take it anymore. They stole weapons from the Soviets and the Nazis and formed an army that hid literally under the ground. They fought the invaders on two sides\u2014the Soviets and the Nazis\u2014and hid under the mountains and forests. For that novel, I interviewed people who had done exactly this as children\u2014took up arms and fought\u2014realizing that they would likely die, but it was worth it if it meant that future generations might live in freedom.<\/p>\n

The events unfolding in today\u2019s Ukraine have chilling parallels to what I\u2019ve written about in my World War Two trilogy. I pray that we are not on the brink of World War Three.<\/p>\n